Film Sessions: The Devil Walks in Broad Daylight
In this December 2020 Film Sessions post we’re looking at a Tedx Talk by John Perkins, author of (New) Confessions of an Economic Hitman, over on Media Madness.
Read MoreIn this December 2020 Film Sessions post we’re looking at a Tedx Talk by John Perkins, author of (New) Confessions of an Economic Hitman, over on Media Madness.
Read MoreA longer Book Blog talking about why you should read Michael Parenti’s Blackshirts and Reds (or really any book he has written) over on Can’t You Read.
Read More“Now that we’re sailing into a new-old era of American politics, Nina revives one of her old blogging Features with a new, time-saving twist. Mendacious media minions can run, but then can’t hide from “Great Moments in Media Muppetry” on our Media Madness Blog; today’s first feature contestant? Vox’s professional TV-watcher, Aaron Rupar.
Read MoreA fifty-two point, fully sourced list of evidence that objectively demonstrates that Donald Trump is a fascist; even to the mendacious.
Read MoreAn essay-length Patreon discussion about the difference between wrong and illegal as it pertains to Pig Empire malfeasance, and a note about why we must become advocates for truth.
Read MoreA link to a brief update about crypto-fash plagiarist and general moron grifter Caitlin Johnstone; who should definitely stop talking about me before I get angry.
Read MoreA look at five reasonably mainstream books from The Library that you can read to get a much better grasp on how our world actually works.
Read MoreA collection of links to all of my recent Skinny social media essays and Can’t You Read blog posts previously unshared on this site.
Read MoreNina takes a look at the terrifying logic behind the new-old strain of Republican excuses for a lawless president in “Screw Yoo: the Turtle, the War Criminal and the Mutant who would be King.”
Read MoreA Can’t You Read blog post about why leaving Syria means abandoning the YPG even if that’s not a popular decision on the left.
Read MoreAn October 2019 edition of The Skinny in which Nina discusses how narrative framing twists the issues in the minds of the public in all the wrong directions.
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